Today’s Poetry Friday Roundup is hosted by Carol Wilcox. Have you read Carol’s beautiful 30 days of poems about Raising Rooney? During April this year, Carol wrote a poem each day about the service dog she has raised from a puppy–starting with “Beginnings” to when she realized “I’ve Got Rooney All Over Me,” as she had to say goodbye. Each poem tells a story, helps us get to know the ins and outs of raising a service dog, and touched my heart as a reader. This collection will be a lovely gift to the person who is blessed to receive Rooney as their service dog.
Last week Ruth Hersey’s post was so bittersweet and beautiful. I’ve been thinking of it all week. It inspired me to notice the birds (and people) here in Bahrain all week long. Thank you, Ruth, for the inspiration. Using a Maya Angelou quote that has been on my mind, “Do the best you can until you know better. Then when you know better, do better”, I wrote a Golden Shovel poem:
we have birds here, like they do
in detroit and haiti and all over the
world. we know birds are best
in their wild brilliance and you
will do well to realize these birds can
exist in this blasted heat, up until
their feet melt into the pavement. you
can measure this desert against what you know,
thinking your birds are better,
but linger here, savoring their coos and vision. then
take your cue from the birds who know when
and how their next meal will come. Do you?
they don’t farm or collect salaries, but they know
their father in heaven better
than I often do.
rain of mercy, fall on us so we receive better
After I wrote a rambling “narrative” sestina, I wanted to try to learn more about meter, so I went to Bruce Lansky. He’s the king of da-DUM-da-DUMs, in my opinion, as he really knows how to write in that sing-song rhythm:
I have a brief confession
that I would like to make.
If I don’t get it off my chest
I’m sure my heart will break.
Many years ago, I would teach this lesson from Bruce Lansky–“New Version of Shel Silverstein’s ‘Sick'”–to junior highers. For a while during those years I understood meter much better, so this week I revisited this lesson. (Even though I had to go to the Way Back Machine archives to do so.)
I began to collect lists of words, seeing which syllable in the word is stressed. I’m not sure why I made these lists–perhaps looking for support, inspiration, patterns, or what-have-you. This week I’ve played a bit with using the words to make equations, a menu of sorts, perusing the lists and thinking of better words. (e.g., da DUM da + DUM da + DUM da + DUM + da DUM = iambic pentameter.) Is that right? I have been playing with rhythm in my waking and sleeping. I’m not sure how successfully. Here is a sampler of couplet sizes I tried out this week.
Iambic dimeter (2 iambs)
Beyond all hope
Afraid to cope
Iambic trimeter (3 iambs)
The Light of God aglow
And Evil takes a blow
Iambic tetrameter (4 iambs) (Inspired by a real conversation I had with a student this week after we watched this video.)
We have a pup and no hedgehog,
but not no more; she’s now a dog.
Iambic pentameter (5 iambs) (Pigeons on my window sill)
Their cooing comes in waves of ease and whim
Alive and free, no cage can stop their hymn
Iambic hexameter (6 iambs)
I am alive in sweet embrace, a lovely scene
Of morning quiet during spring, so fresh, so clean
Iambic heptameter (7 iambs) (Two lines rewritten from my sestina)
We battle systems over people, country’s soul is near;
Our hope portrayed in Kamala brightens every dappled fear.
Do you have additional suggestions for writing iambs? I would welcome any advice!